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I've never heard of this book, but it reminds me of The Neverending Story. I've never seen the movie adaptation, but I did read the book as a young kid and the esoteric/allegorical imagery made a very deep impression on me despite the fact that I've forgotten most of the plot. My recollection of actually reading the book feels like a dream.View attachment 40659 This book right here was one of the most magical reads I have ever gotten my hands on. Some of the plot and logic were so unique and yet similar. I want to buy it again to see if I get the same fascination. I highly recommend you read it if you hadn't. magical snow is one of my favorite things ever!!!! Everything is described perfectly and I just barely remember enough details to get imagery but not enough to remember what happened. Its so nostalgic and it doesn't feel real.
It sounds like you should read Terry Pratchet's DiscworldI'm going to continue to recommend Piers Anthony forever, I think. His work drug me head first into the world of whimsical fantasy and SciFi. His books tend to have some very adult themes, yet they are still filled with a child-like blend of ideas.
In the Xanth series, puns are turned literal in a fantasy world (e.g. a Nightmare is literally a magical horse that comes to you in your sleep and tries to destroy you with dark magic)
In the Incarnations of Immortality series, we see traditionally mythical figures (such as Mars, Death, Satan, Father Time) as temporal job positions, wherein someone succeeds a predecessor in some fashion related to the position. Chaos ensues and the many events of the world are explained as people attempt to use these positions for their own purposes.
In the Apprentice Adept series, we see a blend of SciFi and Fantasy as two parallel universes exist simultaneously, one utilizing science and one wafting in magic, and the eventual chaos of people and creatures attempt to cross sides.
Plus many other great series or one-off's he has. Very classic fantasy and scifi elements as his novels date all the way back to 1967.
Looks good! I'll check it out!It sounds like you should read Terry Pratchet's Discworld
The way you read discworld is pick a character/ group of characters, then read the books related to them in chronological order. There are so many interwoven storylines that it's impossible to follow in release order, but each "set" will be found easily listed online. I'd suggest the Death books, or the Witches books first.Looks good! I'll check it out!
I remember very vaguely reading On a Pale Horse and I think A Spell for Chameleon as a kid, it's very dreamlike trying to remember them and I thought I made up parts of Xanth in my imagination until now. I've always liked whimsical and twists on standard fantasy and should go back to reread them.I'm going to continue to recommend Piers Anthony forever, I think. His work drug me head first into the world of whimsical fantasy and SciFi. His books tend to have some very adult themes, yet they are still filled with a child-like blend of ideas.
In the Xanth series, puns are turned literal in a fantasy world (e.g. a Nightmare is literally a magical horse that comes to you in your sleep and tries to destroy you with dark magic)
In the Incarnations of Immortality series, we see traditionally mythical figures (such as Mars, Death, Satan, Father Time) as temporal job positions, wherein someone succeeds a predecessor in some fashion related to the position. Chaos ensues and the many events of the world are explained as people attempt to use these positions for their own purposes.
In the Apprentice Adept series, we see a blend of SciFi and Fantasy as two parallel universes exist simultaneously, one utilizing science and one wafting in magic, and the eventual chaos of people and creatures attempt to cross sides.
Plus many other great series or one-off's he has. Very classic fantasy and scifi elements as his novels date all the way back to 1967.
SPOILER ALERTHaven't read it, nor do I plan to, but I have no doubts "Assgoblins from Auschwitz" fits the bill, though in the negative sense.
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Just by reading a quick synopsis one can understand that this book's sole purpose is to be as extreme, grotesque, and dumb as possible, but what I find unreal is that someone attached their actual name to this book and published it.
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Like, imagine being that guy. The guy who wrote fucking ASSGOBLINS FROM AUSCHWITZ.
What kind of person can read Ass Goblins of Auschwitz cover to cover, rate it 4/5 stars, and then still feel the need to self-censor the words "Nazi" and "ass"?Haven't read it, nor do I plan to, but I have no doubts "Assgoblins from Auschwitz" fits the bill, though in the negative sense.
View attachment 42167
Just by reading a quick synopsis one can understand that this book's sole purpose is to be as extreme, grotesque, and dumb as possible, but what I find unreal is that someone attached their actual name to this book and published it.
View attachment 42170
Like, imagine being that guy. The guy who wrote fucking ASSGOBLINS FROM AUSCHWITZ.
RAW was a Discordian, like, unironically one of the founders along with Kerry Thornley and Greg Hill. The whole trilogy might make absolutely zero sense without prior knowledge of Eris-esoteric.View attachment 40676
I guess I'm not sure exactly what you mean by "unreal," but this book right here takes the cake as the most out there thing I've ever read. It doesn't seem possible to discern whether the author wholeheartedly believes in conspiracy theories, or is using fiction to mock them relentlessly. Wikipedia describes it as being "satirical" but that seems far too trite of a descriptor. The plot is non-linear, to say the least, and includes many instances where you are given the perspective of characters such as a sentient dolphin, an artificial intelligence, and some detectives investigating a bombing.
It's truly difficult to describe the book (which is really a series), it's something that really has to be experienced to understand. Certainly helped me integrate some of the psychedelic states I've experienced by understanding it's possible to simultaneously take something seriously and also laugh at it or relentlessly mock it.