Virtual Cafe Awards
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View: https://www.youtube.com/watch?v=oGAHh0GPKRA
What's that? I can't hear you, speak up! What? Dream Theater sucks? Sorry, can't hear you...
A lot of my favorite bands do absolutely nothing new and just stick with the old and do it well. It's only really when a band that had an unbelievably unique debut becoming generic that I'm disappointed (see At the Gates). In Flames is another, but honestly turning on their albums from Jester Race to Colony, I just wanna hear some US power metal riffs with harsh vocals. I like Gothenburg melodeath for that reason; without the vocal melody it makes the guitars need to do a lot more work.Well, you got a Whoracle avatar, mate... everybody knows In Flames got generic after Subterranean. Sure, The Jester Race wasn't completely soulless, but it certainly had the whiff of artistic rot.
I consider myself somewhat on the soulless side tbh. When I think of a song I like it's more about "Oh damn, that's an interesting rhythm/progression/melodic line". I enjoy Behold the Arctopus, for one, which is like Dream Theater stripped of all of the soul, leaving only meandering noodling. Just because I like how it tingles my ears. I think Watchtower and Blotted Science does it better with a lot more interesting songwriting but eh, sometimes I just want to go dumb to some retardedly complex music.To be honest, I was quite the Dream Theater fanboy 10~15 years ago (even saw them live), and I still think they got some good material lost inside the meandering noodling (at least before A Dramatic Turn of Events), but artistically, I never felt anything from them; it's truly music made for musicians, by musicians. Awake and A Change of Seasons are probably their peaks.
Excuse the pedantry, but I like distinguishing melodeath (the Gothenburg sound with its various hallmarks and stereotypes) with melodic death metal (death metal that sounds like death metal with more diatonic riffing). I prefer the latter variety despite its much smaller size. Intestine Baalism, Impaled, Lipoma, Vehemence, Axis of Advance (war metal), Gridlink (grindcore), etc.
I ought to listen to some of the latter, because Baalism are one of the few melodeath bands I particularly liked alongside Carcass. I can't tell you how disappointing it was to hear Heartwork, love it, and find nothing else that comes close to it. It made great company for my late nights working on uni assignments.
Carcass probably had the most fluid evolution in sound of any metal band I've ever heard. The next album Swansong is simpler and more melodic (and pretty good too), but you can tell what pieces they took from this one to make it, and some elements of their songwriting and sound are always there. It's especially a plus with Heartwork, because the handful of death metal moments carried over from Necroticism add more variety.Funny you say that, I actually never gave post-Necroticism Carcass a proper chance and I just got Heartwork on FLAC so I'm listening to it right now. Damn, why have I avoided this? This is 100% what I was looking for with the latter. It still sounds like Carcass, which is the best part. Even though they took a few detours from their first album in 87 they still retained a Carcass sound if that makes sense.