Ross_Я
Slacker
Frankly, I'm quite sure it's not the case. First of all, the ritual of opening of the mouth has not been performed on ushabti, thus, I guess, it was not necessary for those to hear, see or speak.The reason they painted the faces was so they could hear, see, and speak, right?
Now then, the faces were more often sculpted, rather than painted. For example, here are several cheap ushabtis: one made of limestone and two made of wood.
The only one without a proper face comes from the second intermediate period, and intermediate periods were time when egyptian kingdoms were struggling to stay alive. I guess, the fact that one of the very few faceless ushabti comes from the intermediate period really shows how bad it was for Egypt, as absolute most ushabtis, even cheap ones, have proper, volumetric faces.
However, they were rarely painted. Here, for example, the ushabti of one queen Henuttawy:

Ushabti of Queen Henuttawy - Egypt Museum
Light blue faience ushabti of Queen Henuttawy. One column of painted inscription down front of body; painted flail grasped in each hand.

It is made of nice faience, and yet, as you can see, the paint is rather modest. Actually, note that on this one even the mouth wasn't anyhow marked with paint. So indeed one should conclude that wasn't such a necessary feature for ushabti.
Most of the hieroglyphs on ushabtis are simply written names that identify the owner of the golem. Almost all of the above ushabtis have just that and nothing more, even the queen's one.Do you know what the hieroglyphs they have covering their bodies would be?
Now, one of the wooden ushabtis above is an exception. You can see many hieroglyphs on it, and it is most likely an "ushabti spell". Those written ushabti on these figurines simply ensure that ushabti will obey its owner and/or underline the specific purpose of a given ushabti. I cannot really read the spell on this one - the photo quality is way poor - but I can provide you the most typical ushabti spell. These were, after all, pretty much mass-made; in such quantities, that today ushabti is pretty much the most common ancient egyptian artifact, and so the spells were rather typical. Here goes:

Ushabti of Lady Sati - Egypt Museum
These Ushabti figures of a woman named Lady Sati, were found in Saqqara, and date from the reign of Amenhotep III.

These are rather exquisite ushabtis of one lady Sati. She wasn't royalty, but she or her family decided she should have these fancy figures. Not only they are made of faience, but they are colored with as much as six colors - very rare, if not a unique instance.
And yet the ushabti spells that are written on these figurines are nothing more than the most typical ushabti spell that can be found in chapter 6 of Ernest Alfred Wallis Budge's Egyptian Book Of The Dead:
An example of a more modern translation of a similar spell can be found here: https://www.shabtis.com/ss.php
And in case you have trouble finding this very spell on ushabti, keep in mind that egyptian could be read both left to right and right to left. The indication of the way to read can found in the figures drawn in the hieroglyphs: in Wallis Budge's Book Of The Dead they are facing left, therefore the text is to be read left to right. On ushabti though, figures are facing right, therefore the text should be read right to left. Here, I'll start for you:
There are several somewhat unnecessary symbols added, like determinatives, and some minor things changed here and there, but, overall, it's pretty much the standard ushabti spell that appears on most ushabtis.
As a matter of fact, I'm kind of ready to bet money that wooden ushabti has the same spell, but heavily truncated. I can definitely make out at least one word on it:
Overall though, the quality of the photo, as I said, is a bit too poor.
So, to sum it up: I bet faces were not quite necessary for ushabti. They were, perhaps, intended to be controlled, uh... magically, for the lack of a better word? Though even spells written on them do not seem to be anyhow important, as most ushabtis only really carry the name of the owner.
I cannot really provide an answer to this one, as I really cannot dive that far into a mind of an ancient egyptian. Still, nobody made any offerings to ushabti, and the only thing that is present on all of the ushabtis above is the eyes. And even then the importance of the eyes must lie in some other symbolism, not in the fact that ushabtis needed eyes.
Once again, I call these golems for a reason: golems are what these things most remind me of. Some slab of material intended to obey some magics. This is but my impression though.
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